Australian Crime Fiction: Breaking out from the ‘Fatal Shore’

Edgar Allan Poe’s short story ‘Murders in the Rue Morgue’ (1841) established some of the key generic conventions of the detective novel as it has developed internationally – the roles of investigator, assistant, witness and suspect; the presence of both ‘red herrings’ and real clues; and the contrast between the police, constrained by regulation, and … Continue reading Australian Crime Fiction: Breaking out from the ‘Fatal Shore’