Anwen Crawford’s No Document is many things: a letter to a lost friend; a history of art and protest; a practice of redaction and remembering; a call to action; and a lament. No Document is a text made up of fragments.
When I arrived from the UK and settled in Melbourne, I quickly learned to respect coffee and not to make jokes about AFL. I also noticed that Melbourne has an impressive network of local independent bookshops. But how have indie bookshops managed to survive in Australia when they have virtually vanished in the UK and … Continue reading Still Resilient? Can Indie Bookshops Survive Covid-19?
By Isla Sutherland Gabrielle Ashton is a 22-year-old television producer and law student. She is also making significant waves in the self-published literary romance scene, having made over $10,000 and had almost one million page reads since her debut in June this year. I spoke to Ashton about her experience turning her hobby into a … Continue reading From Bad Romance to Good: a Look at Self-publishing and Romance Ebooks
My professional work is in teaching and about media and communications. But for a long time, I didn’t reflect upon my own relationship with digital technology and digital networks. The idea of chronic distraction is a pathology that I know a lot about. I understand how the connected life is, or very easily can be, … Continue reading Excerpts from Robert Hassan’s new release Uncontained: Digital Disconnection and the Experience of Time
Sarah Robinson-Hatch is a blogger, writer and fangirl and is currently studying a Bachelor of Professional Communications at RMIT. She’s the creator of a Melbourne YA book club called The YA Room and blogs at Written Word Worlds. When she’s not reading, Sarah can be found working on her next manuscript, bingeing TV shows and … Continue reading My Life as a Book Blogger