In a click-bait culture where traditional marketing can be hit and miss, authors can have a hard time finding the right space and marketing tactics for their work. As a result, some authors have turned to their own forms of marketing on social media.
This is my writer’s origin story; how I went from burning through six story ideas in five months, to writing 85,000 words in just four. In this article, I share with you a variety of screen-writing resources from some well-known screenwriters, which have helped me immensely in my novel writing journey. From these resources, I will explore my learnings and key takeaways that have been translated into 5 clear steps.
Anwen Crawford’s No Document is many things: a letter to a lost friend; a history of art and protest; a practice of redaction and remembering; a call to action; and a lament. No Document is a text made up of fragments.
I love languages, and as a person from Chinese diaspora I’m aware that there is something fascinating about my own language—how it can encapsulate so much more than English, but with fewer characters. So what about English-to-Chinese translations—especially in book titles, which convey the whole story at a glance?
In Theory of Colours, Bella Li’s third full-length poetry collection, a planet slides into entropy. Inspired by poet Johann Wolfgang von Goethe’s treatise of the same name, Li blurs distinctions between absence and presence to create a haunting meditation on the universe.
Joanna Bloore discusses some of the most popular and emerging trends for Australian book covers.
Joseph Carbone ponders the resurgence of retro media and why we remain attached to its traditional, physical origins.
Debating the utility and function of book reviews—especially the reviews in The Age, Sydney Morning Herald and The Australian—is a near constant presence in the contemporary Australian publishing field. These debates typically centre around three distinct themes: reviewers should not review the books that their friends wrote; who is the reviewer writing for (is it … Continue reading Unfortunately, Book Reviews Actually Matter
Let me start with a disclaimer – I’ve been living in Melbourne for the last year and haven’t been able to visit my local bookshop for a very long time. Our bookshops have all had to move to online sales and local deliveries. As a result, our book-buying practices and reading habits have had to … Continue reading Finding links to community in the bookstore
When I checked my phone this morning, I had a text from my sister. It was a video of her daughter – my niece – sounding out the words to her very first picture book: Mix, Mix, Mix, the engrossing tale of Bob the Bug baking a cake. Ordinarily, this is the kind of thing … Continue reading Book Club Zoom Rooms? Online Launches? Melbourne Reading Communities Adapt to a Post-Covid World